September 30 in 30 — A Walk With Bepa

A Walk With Bepa, 7"x5", oil on gessobord panel, ©2013 Cindy Greene

This is a painting I've been wanting to do for a very long time. A faded photo of my father and my eldest daughter is on my bulletin board, and has always been one of my favorites. The toddler is now a wife and budding knitwear designer, and my dad passed away 14 years ago. I didn't notice until I scanned and enlarged the photo that Emily is wearing her favorite stretchy heart bracelet on her upper arm. She has always had her own original sense of style!

It's funny how the painting developed. I sketched the figures lightly in thinned paint, and had to do very little correction. It took quite a long time for such a small painting, but the figures went pretty quickly. It's the background that gave me trouble. The reference photo was taken in a park with some rather straggly small trees, and people in the background. The trees and people just didn't work with the composition, and the dry brownish grass in the photo wasn't very attractive. 

So I borrowed Julie Ford Oliver's idea of using a piece of glass held over the painting to try out different ideas — I painted the changes on the glass first and snapped a photo. Then looking at the viewfinder, I could see if the design was improved or not. It took a few tries, but it is a brilliant tool. Thanks, Julie! 

Here are some photos I snapped of the process — it might be interesting to you how it went.

I toned the panel with diluted burnt sienna, and wiped it off.
It will help counter all that green. I hope.

Got the figures sketched in, the darks in the jeans and shirt,
and my original idea for the background

My dad is looking pretty good, and I'm working on Emily

Emily is coming along, and I've greened up the grass.
Not happy with the background.

Glass! Painted a brighter sky to see how that looks. Nah.

More glass — painted in a darker background of distant trees. Better.

Added some distant trees on the painting. Better,
but I don't like the little tree. Too distracting.

Glass again. Made the tree(s) less distinct. Much better.

Corrected the trees on the painting. I like this background much better;
it gives context without distracting from the figures.

Finished for the night, but there are a few places I want to adjust.
Too much yellow halo around my dad's sleeves and Em's right leg isn't right.

I'm happy with the final result. Also corrected Emily's hair, and
added some shadow under the tree on the left.

Thanks for sticking with me this far!

You First!

"You First!", 9x12", oil on canvas panel, ©©2013 Cindy Greene

I watched these children a few weeks ago, when I was painting at Laguna Beach. It was a gorgeous day and obviously spring break for some families. The water was cold of course, but that didn't deter them, and they eventually did get wet. I snapped some photos of them and I've been thinking about painting them ever since.

The emotional tug for me here is that these two remind me of my brother Michael and me. When we were very young, our parents would load us in the car in the pre-dawn hours and drive across the desert to the beach. We would have a wonderful time for a few hours, and then would spend a few miserable days coping with the inevitable sunburn. The smell of Coppertone is forever ingrained in my mind — I've never been able to use it; it just reminds me of being sunburned. 

I'm finding that I'm pulled to painting certain subjects, and then I realize later what the tug was about. Do you ever have that happen?