September 30 in 30 — Chevy Apache

Chevy Apache, 8"x10", oil on canvas panel, ©2013 Cindy Greene
$175, available here

No, this wasn't painted at a marsh or wetlands, or even at a beach! This was a class assignment, and I complained about it. (Hate to admit it, but it's true.)

We are a classic car family, so I suppose I should start painting some of the old cars and trucks that I see frequently at the local car shows or even on the street. This old Chevy Apache had a lot of fun elements. Thanks to my husband, who helped me edit a few parts.

Anyone out there have one of these?

September 30 in 30 — Incoming Tide

Incoming Tide, 5"x7", oil on canvas panel, ©2013 Cindy Greene,
$100, available here

When we were at Bolsa Chica Wetlands the other day, the clouds gradually cleared and the heat started to sink in. This view of the inlet is full of birds, resident and visitor, as well as sealife. I love sitting there and watching. 

I'm thankful I painted a couple of paintings ahead last week. A dear elderly family member is not feeling well, and I've spent quite a bit of time with her. Then yesterday, two of our daughters came for a weekend visit, and it was totally worth putting the paints aside while we enjoyed them. We visited, talked, swam, cooked, watched soccer, knit, shopped, ate and talked a lot more. So much fun, and I am so thankful.

September 30 in 30 — Summer Clearing, Back Bay

Summer Clearing, Back Bay, 6"x8", oil on canvas panel, ©2013 Cindy Greene
$125, available here

Cheater alert: I started this painting at the Back Bay last month, but stopped way before it was completed. Since Real Life is happening around here, I spent a couple of hours reworking and finishing it as one of my September paintings. Yep, I did. 

The Newport Back Bay is a fun place to paint. And challenging!! The summer greens are so very bright, and next winter that marsh will be golden-red. Like this:

High Noon at the Back Bay, 8"x8", oil on board, ©2013 Cindy Greene
$125, available here

And early spring, it will start to green up just a bit, like this:

Rain's Coming, 10"x8", oil on board, ©2013 Cindy Greene
$125 available here

Always changing; always different. And now, what to paint today?

September 30 in 30 — Plein Air at the Back Bay

Plein Air at the Back Bay, 5x7", oil on linen canvas panel, ©2013 Cindy Greene

I had so much fun this summer painting with my two plein air buddies. Jeanne always wears her red shorts for painting trips (you know, you get a bit of paint on something and presto! it's your uniform) so of course I've been wanting to paint her in them. It was challenging to get the rocks and grasses in without letting them dwarf her. This area is a beautiful deck that overlooks the upper Newport Back Bay, and it's a favorite spot for painters.

September 30 in 30 — Wetlands Sky

Wetlands Sky, 7"x5", oil on canvas panel, ©2013 Cindy Greene
$100, available here

When we arrived at the marsh the other morning, the sky was just amazing. I'm guessing the late summer unstable hot air meeting the marine moisture did some magic. I painted very quickly to try to capture the essence of the sky. This is the main inlet for the wetlands, so the moving water allowed very few reflections.

September 30 in 30 — Wetlands Reflections

Wetlands Reflections, 6"x8", oil on canvas panel, ©2013 Cindy Greene
$125, available here

We went to Bolsa Chica Wetlands again yesterday, to enjoy being outdoors before it got too hot. (Yes, heat wave here.) This is a slightly different view of the same area of marsh I painted last week. The clouds were just magnificent.

My husband got some great photos, including a red egret and a pair of white pelicans, neither of which we had seen there before. Fun morning, but by 10:00 it was too hot to stay in the sun, even at the coast.

September 30 in 30 — The Perfect Rose

The Perfect Rose, 6"x6", oil on archival board, ©2013 Cindy Greene
$100 available here

My friend Leslie picked this rose from my front yard on her way into the house one day, and announced that it was "the perfect rose." We took some photos, and I'm glad I did. The rose is Princess Marianna, and it's a very small shrub rose with pale pink, perfectly shaped blooms. Sadly, no scent, but I enjoy it anyway.

Tomorrow's painting — another trip to Bolsa Chica Wetlands!

September Challenge: 30 Paintings in 30 Days — Balboa For Two

Balboa for Two, 8"x8", oil on panel, ©2013 Cindy Greene

It's September! And I'm joining the 30-Paintings-in-30-Days Challenge over at Leslie Saeta's blog (along with over 300 other artists...).

"Balboa for Two" was painted from a photo I shot a couple of weeks ago at Balboa Island. I had painted a sidewalk/garden view, but a couple sailed up and parked their little Sabot on the sand while they went to lunch. They weren't there long enough to paint the boat then, but I'm glad I got the reference shot.

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Summer Clouds

Summer Clouds, 5x7", oil on linen panel,
©2013 Cindy Greene

Tuesdays have been plein air days all summer and today my two painting buddies were not able to go. So I asked my husband if he'd like an outing (he's a photographer), and off we went to one of our favorite local spots, the Bolsa Chica Wetlands. It was a strange morning, weather-wise, very cloudy for late August. But what a beautiful morning it turned out to be. I shared this part of the marsh with a reclusive clapper rail, who had at least one photographer looking for him, as I guess they are fairly rare this time of year.

I'm very pleased with this painting — since the light was changing so rapidly, and the clouds clearing up, I got the color notes for the water in early, as well as the dark marsh areas. The pickleweed was fun, with all the reds and greens.

 

I finished this painting fairly quickly and started another of the incoming tide. You can see a bit of it below, along with Stuart who agreed to pose. Such a fun morning; it left both of us very satisfied. And hungry!

A New Favorite Edgar Payne

"Marinescape", 1918, Edgar Alwyn Payne, collection of Bowers Museum Santa Ana

I thought I'd share a new find. (No, I didn't paint this.)

Last Saturday we visited the Bowers Museum in Santa Ana and saw the "Tsars' Cabinet" and "Gems of the Medicis" exhibits. We had great docent tour guides for both exhibits, and really enjoyed them. After a brief rest, we trooped to the nether regions of the museum, where they had hidden some of their collection of California paintings. A few are in a hallway, and thankfully there was a sign directing us upstairs to a conference room where the others were hidden.

I love this seascape by Edgar Payne — it is not his usual subject matter (very tall mountains, Breton boats, etc.), and I think that's part of why I enjoy it so much. Payne founded the Laguna Beach Art Association, and this painting is definitely part of his Laguna Beach days. I've spent some time painting in Laguna this summer and find the virtuosity of this wave so inspiring. Notice the reflection of the pinkish sky on the water, and how he sculpted the frothy part of the wave with light and shadow. Time to re-read his Composition of Outdoor Painting.

High Summer at the Back Bay

High Summer at the Back Bay, 8x10", available here,
©2013 Cindy Greene

I'm taking another plein air class with wonderful artist Kim VanDerHoek, and this is where we went last week: the Newport Upper Back Bay. I've painted this view a couple times before, but it is always diferent. The marsh grass will be turning reddish-brown, and of course the light changes all the time. (Here's a stormy day last March.) This week we had the challenge of the bright green marsh grass, the bright green bluff plants, and of course the ever-changing light as the clouds burned off.

Treasure Island Cove

Treasure Island Cove, 8x10", oil on canvas panel, available here,
©2013 Cindy Greene

No, I wasn't standing on a rock in the ocean while painting this — the beach curves around enough that this was my view from the north end.  I'm so fortunate to live only an hour away from this beautiful spot, and to have friends to meet there to paint. A gorgeous morning with the subtle light of what we fondly call "the marine layer."

Grey Day at the TIdepool

Grey Day at the Tidepool, oil on canvas panel, 6x8", available here,
©2013 Cindy Greene

Yesterday was another wonderful day in Laguna Beach. Our painting group decided to go to the beach below the Montage Resort, also known as Treasure Island. Because of limited parking time, we were finished by 11:00 am, and the sun never came out.

But if you know me, you know that's just fine. While I love painting sunlight and shadow, the sea has so many colors and nuances when the marine layer is over us.

I have another painting that needs a few tweaks, and will post that tomorrow.

Red Flag Day

Red Flag Day, 5x7", oil on linen panel, ©2013 Cindy Greene

My painting buddies and I arrived at one of our favorite beaches early yesterday. The sand has been eroded by the large waves, so the available beach was much smaller than last time we were there. We got first choice of spots, though, since there was no one else there except a man with his metal detector. We'd been warned of the riptides and large waves, so we stayed back on the upper beach. By about 11:00, the beach was nearly full (the parking lot was), and the sun was out. So, so gorgeous. The poor lifeguard earned his keep by hopping off his stand to chase people away from the rocks.

I painted "Red Flag Day" early, before the sun came out. Many of the rocks in the tidepools are covered with algae or seaweed, and such a great color of yellow-green. To get the wave correct, I kept stopping and waiting for the next wave to come in to "see" the next stroke. Fortunately there were a lot of waves to help me out.

Debbie's great view of the tidepools

Jeanne painting the cove view.

We kept remarking about how many amazing colors were in the ocean after the sun came out. From a dark grey-blue at the horizon, to turquoise around the tidepools, to many colors of green near the beach — what a treat for the eyes. Here's a sample.

A bit of paradise on a July morning.

40 Strokes and Counting

Little Corona; Creek Morning, 5"x7", oil on linen panel, auction here

 

"To know what to leave out and what to put in; just where and just how, ah,

THAT is to have been educated in the knowledge of simplicity."

Frank Lloyd Wright

What an amazing place this world of ours is, no? I've been painting this summer with a small group of friends. We chat, paint for several hours, sometimes have lunch after, and generally enjoy beautiful scenery and the joy (and agony) of painting en plein air. Last week's trip to Little Corona Beach was so fun that we went again this week. Lots of things happened.

1. I had an idea to start our morning with a warm-up exercise, painting a simple scene on a small panel in 40 minutes. But the kicker was — only 40 strokes were allowed. Now painting an apple in 20 strokes is manageable, but how do you paint a landscape scene in 40 strokes? I picked a scene and studied it, mixed paint, got out a couple of large brushes and set the timer on my phone for 20 minutes to have a half-time warning. This was hard. I counted out my strokes, making sure to get lots of paint on my brush for each stroke, stopping to mix more paint (duh), squinting to try to capture the value the first time, since I wouldn't likely have a stroke left to correct it later.
   
   At about 25 minutes in, I had used up 35 strokes. I studied the scene again, trying to decide what was most important to capture. At 39 strokes and about 30 minutes, I was basically finished.
   
   And you know what? This is my favorite painting of the day. Definitely a productive exercise, and one I plan to do again.
   
   (When I got home, the painting had smudged in my wet panel box (!) and it took about five strokes to fix it. Disclosure and all that.)
   

   

   40 strokes view
   

2. While I was painting, a young couple came up and asked if they could leave their things by me while they went for a swim. We chatted for a minute, and they told me they were visiting the U.S. from Germany, and had three weeks to tour the Southwest. They were on their way to the Grand Canyon, then to Bryce and Zion National Parks, then would make their way back to California, hopefully seeing Yosemite before they returned home. They were so fun, absolutely charming, and I hope they have a wonderful trip. I handed them my sunscreen to at least keep their shoulders from blistering — I guess the sun isn't quite so bright in Germany and they didn't realize how quickly they would burn.
   
3. One of my painting buddies sold her painting right off her easel to a tourist from Las Vegas. What happens in Corona del Mar stays in Corona del Mar, right? How fun!
   
4. I forgot my camera. Oh well.
   
5. I decided to try painting something really new and not one of the usual beach scenes. Behind me was where the creek came down a canyon and flowed into the ocean. I really liked the view, so painted it. I'm not sure if I'm completely satisfied with this as a painting, but am very glad I did it. Actually, I think I like it a lot.

 

Heading for the Pacific, 8"x10", oil on linen panel

So no seal releases or weddings this week, but a glorious morning at a beautiful place. So thankful.

Joy at the Beach

Looking North, 10"x8", oil on canvas panel,
©2013 Cindy Greene

Each time I go out to paint plein air, I try to set a goal for myself. Something new to try, or a part of my painting that I feel needs attention. Last week I wanted to work on putting down intentional brush strokes and leaving them. The temptation to "noodle" the paint is great, especially when in an unfamiliar environment and you are trying to "get it right."

Above is the first painting I did that morning. The marine layer was pretty thick, but the blue sky was working hard to show itself high in the sky. I liked the white and grey clouds looking north toward Newport Beach, so chose to paint this with a vertical orientation to emphasize the sky. It was very subtle, but I'm pretty happy with the brushwork, as well as the colors of the rocks as the sun was trying to peek through.

The second painting of the day was posted yesterday, Little Corona Cove, and I think it's my favorite of the day. I am happy with the brushwork as well as the composition and colors. That doesn't happen often. I will probably use this study for a larger painting.

Little Corona Cove, 5"x7", oil on canvas panel, ©2013 Cindy Greene

This small wave study was fun. I had some time and some paint left on my palette. The beach was full of families and kids by that time, so I just looked straight out ahead of me and painted what was there.

Soft Waves, Small Rock 5x7", oil on canvas panel, ©2013 Cindy Greene

It's great to have painting buddies, especially when they are as fun and encouraging as mine. Jeanne, Debbie and I claimed our spot early in the middle of the beach, while Diane stayed up by the cliff.

Jeanne and Debbie lost in their painting

Diane's first day painting at the beach, and she did great!

Debbie's impromptu painting of the wedding at the tidepools

I mentioned before that a small wedding took place that morning by the tidepools. While it was fun to watch and share that fun, what happened after was even better. Debbie, who paints weddings regularly, grabbed a small panel and started sketching the wedding party before the rest of us knew what she was doing. She managed to get 80% of the painting finished before the wedding party packed up, and walked over to meet them and present them with the painting as a gift. (They weren't sure what she was selling at first!) They were stunned of course, and delighted. Debbie took their address, and promised to send them the painting when it was finished and dry. They had flown in from Colorado to be married at the beach, and really didn't need the burden of a wet painting in their luggage. We chatted briefly with the group, and they took off to celebrate. Meanwhile, we went back to our paintings and had such a lovely warm feeling of joy the rest of the day. Debbie's kindness was not really random, but such a part of her personality and love of giving to others. The rest of our little group received a gift that day as well as the bride and groom.

Nothing Gloomy About July

Little Corona Cove, 5"x7", oil on canvas panel,
©2013 Cindy Greene

I feel so fortunate to live where I do – only an hour or so away from some of the most beautiful beaches in the country. And I am having so much fun this summer visiting these beaches regularly with some like-minded painting friends. I love the overcast mornings as the "marine layer" plays tag with the sun. It can be challenging to catch the correct light, as often we have clouds/fog/mist/sun all within an hour or so.

Last week's paint-out was at Little Corona Beach. Wonderful small beach, with lots to paint (once you navigate the steep walk down to the sand). We even watched a wedding take place by the tidepools!

The small study above is looking south toward Laguna Beach, with the sun still mostly hidden behind the clouds. I'm loving the colors in the cliff, sand and rocks.

Next post, I'll share more of our Little Corona morning. Nothing gloomy here!

Early Summer

Early Summer, 9"x12", oil on panel, available here,
©2013 Cindy Greene

Although I have not been blogging, I have been painting. With a large amount of what seems to be known as Real Life going on in the last few weeks, I decided to just work on studies. No stress, just work. Process, not product! So I have been doing small studies of glass inside, and also painting outside whenever possible. Several afternoons I have sat in my patio and painted whatever the sun was hitting at an interesting angle. One day I took some tea boxes outside and painted them. None of these studies are blog-worthy, but they have served a good purpose. I've been really working on seeing the effects of light, shadow, local color of everyday objects, value changes in dappled shade vs. sunlight. Fun stuff.

So where did this painting come from? I have so enjoyed the jacaranda season this year. My podiatrist moved to a new medical building, and these jacaranda trees line the street of the office park. The field behind the trees will no doubt be the new home of yet another large complex soon. I was so taken with the sight of a large empty field lined with blooming jacaranda trees (in the middle of a large city), that I pulled over, snapped some photos and came home to paint it. The trees are young, probably planted earlier in the year, but were blooming beautifully. And the sprained ankle is finally healing.

Burning Off - Laguna Beach Oil Painting

Burning Off, 9"x12", oil on linen canvas panel available here
©2013 Cindy Greene

This was painted a few weeks ago at South Crescent Bay in Laguna Beach. The sun finally burned off the marine layer, and it was a gorgeous day. I painted fast, and snapped photos as the light and sky changed. After staring at the original painting for weeks, I worked out the final touches and finished it this week. 

I like the result of the late morning sun on the rocks and cliff, and the remnants of clouds still hanging over the horizon. I'm looking forward to returning soon. (And yes, those birds were there!)

Just Having Fun

Scott's Lobster, 2.5x3.5", oil on gessoed watercolor paper©2013 Cindy Greene

Sometimes it's great to just have fun. I know I have mentioned before that painting is hard. Maybe not this week? Oh, well next week I probably will.

The other day our friend Scott said I should paint a steak or a lobster to bring for dinner. I took him up on it, and he got a little ACEO-sized lobster for dinner. It was the most fun painting I've done in a long time.